Showing posts with label Bloodshot Records. Show all posts
Showing posts with label Bloodshot Records. Show all posts

Friday, September 26, 2014

Jam of the Day | Luke Winslow-King - Swing That Thing



Luke Winslow-King's The Coming Tide was a gorgeous and overlooked gem of a record, his first for Bloodshot Records, last year; if the first two tracks from his follow-up Everlasting Arms, due out 9/30, are any indication of the rest of the album, it's going to be another gorgeous gem, and hopefully not quite as overlooked. "Swing That Thing" is a rollicking, R&B-tinged rocker of a love song. It's not complicated, or lyrically complex, but Winslow-King growls and shouts with the best of them, all over a wailing guitar line.

It's Detroit soul via Memphis blues and Winslow-King's current hometown of New Orleans, and it's about as different from the spitting Riot Grrl punk of my last JOTD -- in every best possible way. It'll make you want to swing that thing yourself, so have an office chair dance on me and Luke Winslow-King this afternoon.
 

Tuesday, August 26, 2014

Interview | Dex Romweber Duo, Chapel Hill, August 2014

All photos by Agatha Donkar
Last spring, SiC ran an interview with Scott and Grant Hutchison of Frightened Rabbit, about their family, their musical history, and playing with a sibling. This is a second in that series, with Chapel hill's Dex and Sara Romweber of Dex Romweber Duo.

Speakers In Code: You said you have a lot of siblings.

Dex Romweber: I’m the last of seven. Four brothers, two sisters. Our dad died in ’94.

Where do you fall, Sara?

Sara Romweber: I’m the 5th one.

So you’re … 5 and 7. How long have you been playing together?

DR: 7 years.

SR: Well, we started out young.

DR: Yeah, we started out playing real young.

SR: He was the first guitar player I ever played with. I was his first drummer, but we both played guitar.

DR: We were called [the Romaines].



When was that?

DR: ’79, ’80.

But you’ve been playing together as Dex Romweber Duo for seven years? Before that, I know you played with Flat Duo Jets for a long time. How was that? Were you playing with someone you’d known for a long time?

DR: His name was Chris “Crow” Smith. We went to school together, fifth, sixth grade.

So that goes back a long ways, too.

DR: It goes back a long ways. ’78, ’79.

How did the two of you come back to playing together?

DR: Well, the Duo Jets had broken up and Sara was free, and I asked her – we had a series of dates on the Outer Banks and I asked Sara if she would play with me. And we began touring and making records pretty quick. We got our manager, who was a childhood friend, who was in Venice, FL – he lives in Largo, FL now – Brett [Seal]. Me and Sara were in Austin, he asked to manage us. He got us a record deal with Bloodshot Records.



How many have you put out with Bloodshot now?

SR: Three. When we started out, we were just going to put out a record together. Then it turned into three records. I’m glad that it did, because I think we had more to do than just on that first record.

DR: And I like all the records a lot.

I love all three. I lived in Chicago in early 2002, and I’ve been familiar with the Bloodshot crew since then.

DR: And Sara has made the records a lot better than any drummer I played with.

SR: That’s really sweet.

DR: You can tell any musician out there that. But she did, she made the records a lot better. And I’m real proud of me and Sara’s records.


Are any of your siblings musicians?

DR: Joe, and our mother is a classical pianist.

SR: And that’s where I really think our musical talent came from, was her. We don’t have a history of musicians in the family.

You didn’t sit around at Thanksgiving playing or anything.

SR: But when Dex, when he started playing guitar and piano, he was always playing. It was part of the household all the time. It was, you know, always there.

DR: And Joe plays guitar and writes songs, and he’s very good at it.

Where did you guys grow up?

DR: Here since ’77, but Florida. Venice.

Is the rest of your family still in Florida?

DR: Well, some of us.

SR: We were born in Indiana, from there we moved to Florida, and spent a lot of youth there, and from there moved here in ’77. That’s the year Elvis died.



That’s before I was born, so now I feel really young.

SR: Well, you are!

I’ve spent a lot of time recently feeling really old because of the Merge stuff, and being like, I’ve loved these bands for twenty years, how can they still be playing together?

DR: We played here a few weeks ago and it was all the old school bands me and Sara grew up with, the Pressure Boys, the Connells, Let’s Active.

I missed it last weekend. I was so upset to miss Let’s Active.

DR: It was really good.

The two questions I always close with, the first is: if you had a time machine, and you could back and see one show – either one you want to re-experience or one you missed, what would you go see?

DR: 1959 in the Tampa Bay Coliseum, Big Joe Turner, Benny Joy, and some other singer.

SR: That would be killer. If I could see any show again, I saw Nick Cave at the 9:30. That was back in the ‘80s. With the Bad Seeds.

DR: We’re big fans of Nick Cave.

SR: Another thing is, in playing with Dex, because I’ve played with so many musicians, Dex and I started playing together – the duo format was really different for me. But in our recording, and some of our live shows, especially some of the recordings that we’ve done, are my favorite I’ve ever done. Absolutely the coolest songs I’ve ever done in the history of my career, I’ve done with him.

DR: I agree. The sound of the records, just.



Of everybody – you, you, your five other siblings: who does your mom love best?

DR: Me! No, I like think she loves all of us.

SR: She loves all of us a lot.

Friday, August 8, 2014

Jam of the Day | Cory Branan - The No-Hit Wonder

Photo by Nicole C Kibert


so sing a song for the no-hit wonder
though it isn't one of his

Cory Branan's second LP for Bloodshot Records, The No-Hit Wonder, opens with a fuzz of guitars and the title track, a ballad for the musicians who never catch a break but keep at it anyway. It's a fiery start to a spectacular record, and full of Branan's wry sense of humor and spot-on lyrics.

Earlier this week I told Twitter that I would put this album in my top ten for the year at least three times, and I meant it -- The No-Hit Wonder captures every single piece of Branan's talent for self-satirization (go check out "The Prettiest Waitress In Memphis" from his first record, if you wonder what I mean) and nail-on-the-head accurate observations. This song could be hang-dog or pathetic, and it isn't, and that's why he's so good at what he does: "The No-Hit Wonder" gets everything about the life of a musician right, with a chorus you won't be able to get out of your head, and absolutely no feeling sorry for anyone, especially yourself.

And you know what? That's just the first track, the title track, which you can stream below. The rest of the album is this good and better, which means you need to go pre-order it from Bloodshot Records right now, or you're gonna miss out on something spectacular. I know I'm bossy about albums a lot, but I promise you that you'll regret not hearing this one the day it comes out. Listen to "The No-Hit Wonder" and tell me I'm wrong. I dare you.

 

Friday, November 15, 2013

Jam of the Day | Lydia Loveless - Boy Crazy

Photo by Paula Masters Travis

Lydia Loveless is brash, crude, smart-mouthed, self-assured, confident, talented -- everything I'd like to be, even though I think I have a decade on the cowpunk singer/songwriter to have gotten there. "Boy Crazy" is an anthem to everything that every woman thinks about her crushes, especially the inappropriate ones; it's an anthem to bad ideas and badder actions, and it's furious, bass-heavy, and unapologetic.

"Boy Crazy", the title track from her new EP -- out now on Bloodshot Records, previewing her future second LP -- is a bad idea in and of itself, a catchy chorus and no I'm-sorries for the bad things we ladies do on the dance floor and in bars.

I think it's gonna be my anthem for 2014, if you don't mind. Anybody going to join me?


Friday, November 8, 2013

Jam of the Day | The Bottle Rockets - Indianapolis (1991 Demo)

Photo courtesy of Bloodshot Records

You don't get more beginning of the roots rock scene, the alt country genre, than this demo from SiC favorite the Bottle Rockets featuring Jeff Tweedy and Jay Farrar. It was released in combination with re-releases of long out of print first two records The Bottle Rockets and The Brooklyn Side, which will be out on Bloodshot Records on 11/19.

Great songwriting, great collaboration, and a piece of history. Stream it below.
 

Friday, August 2, 2013

Jam of the Day | Ha Ha Tonka - Colorful Kids



i see me as i was, you as you were
before the color began to bleed out of us


What a track to kick off the new Ha Ha Tonka record.

I mean, what a track.

"Colorful Kids" sounds both like and unlike Missouri's Ha Ha Tonka; it's rife with Brett Anderson's machine-gun mandolin lines, and Brian Roberts' plaintive voice in solo choruses and bridges, and the well-used and happily familiar Ha Ha Tonka trope of repeated lines and literary references, pulled together into a heart-rending song about loss and leaving. But it's also full of electro-synth pop and a real '70s garage punk bass line, and chorused vocals without words. It's a step forward, or a step sideways, which is all I ever ask from bands I love, and I love Ha Ha Tonka a whole lot (their last two records topped my Best Of lists the years they came out): take the songs I love, and make new ones that sound the same and sound different.

The title 'Colorful Kids' gives you the impression that Ha Ha Tonka might be moving in a happier direction, but even with the upbeat mandolin melody, this song is moodier, and gloomier, and more grown-up sad, than anything they've done before: it's a rock and roll '70s synth punk anthem to how we used to be. Listen and download below, and look for Lessons out on Bloodshot Records 9/3.

(The only thing that makes me sad about the new Ha Ha Tonka record is the one word title, which means no glorious successor to Novel Sounds of the Nouveau South, aka my favorite album title ever.)
 

Friday, April 19, 2013

Jam of the Day | Luke Winslow-King - You Don't Know Better Than Me

Photo courtesy of Bloodshot Records

New Orleans singer/songwriter Luke Winslow-King is getting ready to drop his debut album with Bloodshot Records, and he lead off with this great track. Winslow-King's whole album fuses a number of New Orleans musical traditions together, and this is a slight sounding song, with light guitars and distant drums and Winslow-King's drawl, but when you listen closely, it's a song about the trials of living in New Orleans, and how to live with them.

The whole record is lovely, but I particularly adore this track, a quietly serious paean to making your own way that shuffles its way in a modest sort of way, right up to the ending, which is rich with horns and slide guitar, and a force in Winslow-King's voice that says he means what he sings.

Stream "You Don't Know Better Than Me" below, and pick up The Coming Tide next Tuesday.
 

Friday, August 10, 2012

Jam of the Day | Firewater - A Little Revolution

Photo courtesy of Bloodshot Records

What ex-Cop Shoot Cop frontman Tod A does with Firewater shouldn't work; no one should be able to merge field recordings of traditional Middle Eastern, Asian, and African music with fierce punk guitars and have the song work, let alone an entire album work. But that is, in fact, what Tod has been doing since 1997, and that is what he continues to do on Firewater's upcoming International Orange, a record that was made and mixed in Tel Aviv and Istanbul during the 2011 Arab Spring.

The lead single, "A Little Revolution," grooves and grinds with a little bit of an toothy edge. It's unlike anything you've heard before, and it's worth a listen. You can stream or download the track below.

International Orange! drops on Bloodshot Records on September 11th.

Firewater - "A Little Revolution"

Wednesday, November 9, 2011

Jam of the Day | JC Brooks & the Uptown Sound - Everything Will Be Fine


Mix the subtle, retro-soul swagger of Fine Young Cannibals' "Good Thing" with Otis Redding's guttural vocals, put it all together, and whaddya get? The new single from SIC faves, JC Brooks & the Uptown Sound, "Everything Will Be Fine." The band caught fire after officially releasing its version of the Wilco mainstay, "I Am Trying to Break Your Heart," and it's never looked back. Growing what seems to be a Little Richard-esque pompadour, lead singer Brooks has gained the last one-eighth of confidence he really needed to cement his role as frontman of best guarantee to get your party started.

The Chicago band will roll through Saint Louis on December 10th, playing its clear venue of choice, and one of our favorites, Off Broadway. That's a Saturday, honey. Get out and shake it.

Want More, the Bloodshot Records 11-song debut, is available now.

Watch the barrister-themed video for "Everything Will Be Fine" and download the song below!

JC Brooks & the Uptown Sound - Everything Will Be Fine