Showing posts with label Griffin House. Show all posts
Showing posts with label Griffin House. Show all posts

Wednesday, December 10, 2014

Photos | Griffin House + Emily Wallace at The Duck Room at Blueberry Hill in St. Louis


All photos by Tim Bottchen

Griffin House rolled through town last Friday, playing a show at Blueberry Hill's Duck Room. Listen to his latest album, Balls, here. St. Louis' Emily Wallace, whose "Broken Here" was recently featured on our 150 Best Songs of 2014 list, opened the show. Please enjoy these shots from Tim Bottchen.








EMILY WALLACE

Tuesday, December 7, 2010

The Best Songs of 2010 | 100 - 76

Artwork credit: Alyssa Shapkoff

Welp, it's that time of year again. As we groove into 2011 with renewed goals to get our asses off the sofa and onto the treadmill, we must reflect back on all of the music that kept us in semi-permanent couchlock, frantically downloading, listening to, and researching the gobs of tunes that jammed our inboxes, our favorite blogs, and in turn, our minds.

The four of us here at Speakers in Code did our damndest to put together a comprehensive list of, what we believe to be, the Best Songs of 2010, comin' at ya in four parts for the rest of the week. We even went so far as to rank them, but we ensure you that in no way is our attempt at ordering these hot jams scientific, or even that sensical, really. At first, coming up wtih 100 songs seemed a daunting task; halfway through, we realized that 200 would have been a breeze. So, we did our best, real nice and proper like.

Without further ado, your first twenty-five songs:

100 Courtney Jaye - Box Wine [listen]
A perfect example of Jaye's unique sound (personally dubbed "Hawaiian Country"), "Box Wine" is an ode to the simplicity of Franzia and no-frills men.
[buy the album] [more from Courtney Jaye on Speakers]

99 Janelle Monae feat. Big Boi - Tightrope
Not grooving to Janelle Monae's funk-filled frolic is an impossibility. Big Boi's rhymes are simply icing on the proverbial cake.

[buy the album]

98 Oberhofer - Away From U
Youngster Brad Oberhofer, who seems far too confident and sounds way too good to be nineteen and already crafting songs, offered up "Away From U" before he even graduated college.

[get the free album] [more from Oberhofer on Speakers]

97 Josh Ritter - Lantern
"Lantern" is one of those songs that doesn't need a minute to heat up; its heart beats from the start. 

[buy the album] [more from Josh Ritter on Speakers]

96 La Sera - Never Come Around
La Sera's track hauntingly whispers of 2010's surf rock trend, but its 1950s sweet-as-pie chord changes are satisfyingly vandalized by a little lo-fi grit.
[album out in 2011] [more from La Sera on Speakers]

95 Jens Lekman - The End of the World is Bigger than Love
This uncharacteristically upbeat (relatively speaking) gem is a welcome break from the infinite sadness that tends to permeate Jens' work.
[buy the album] [more from Jens Lekman on Speakers]


Wednesday, June 30, 2010

Jam of the Day | Griffin House - River City Lights

A couple weeks ago, Katie interviewed Griffin House for Speakers in Code, and we learned a little bit about House's new album, The Learner. It's a fine album, probably House's best to date; it rocks, it sways, and it relaxes in all the right places.

There's more than one song that stands out for me, but today's JOTD does a little bit of everything. "River City Lights" takes me back to the innocent days when there were no plans, no bills to pay, and no thoughts of fixed mortgages. Of course, those days still had girls, the kind that are hard to find, the kind that steal your mind for weeks. The kind that just slip in and out of your memory, and eventually, out of your life.

The kind you still think about today.

Like House sings, "That's just the way it goes sometimes."

Griffin House - River City Lights

Thursday, June 10, 2010

Griffin House (The Interview)

Photo credit: Rusty Ralston

Griffin House is one of the most honest, heartfelt, and talented singer-songwriters making music today. That's just a fact.

Needless to say, I was very excited to chat with House about his upcoming June release, The Learner, and to ask about a bunch of other stuff including, but not limited to, the following: toothpaste commercials, public exposure, and Allison Krauss. Random is my middle name.

As it turns out, Griffin House is a pretty honest and heartfelt human being, as well. And that makes him talented in an entirely different, yet more significant, way. That's a fact, too, at least in my book.

The Learner comes out on June 22, 2010. You can pre-order it now on iTunes.

1. Ok, I'll be honest. The first time I ever heard a Griffin House song was when "Waterfall" was used in a toothpaste commercial, but in all seriousness, it heightened the artistic level of the ad dramatically. I also know that several of your songs have been used on television shows. How do you feel about your music getting that type of exposure? Is it helpful to you as an artist?

I'm not sure how helpful it is, really. I would think any exposure would be helpful in creating awareness. But, I don't really have anyway to track that; my management team probably does. I got asked almost this same question on a live news program, I think it was Fox morning news in Boston. "Hey Griffin, how do you feel about all this exposure?" And I said, "Well, I try to expose myself in public as much as possible." But I won't say that here.

2. I know you're a Midwestern boy, as I'm a Midwestern girl. How has this kind of upbringing, this part of the world affected your songwriting or you as a musician?

As a native of the heartland, I think my heart feels very tied to the land. It actually makes me sad to think about it being there without me, when I'm gone, and when I'm there, I get sad when I leave. If I could justify living there, I would. But, I need to be in a place where my musician friends are so I can record and rehearse with them. I heard a Sun Kil Moon song in a movie, and I didn't know who it was or what the song was, and I immediately freaked out about the song. The song was "Carry Me Ohio." My wife thinks that I could actually feel the land in the melody and vocals and music of that song. And I think I did.

3. One of my favorite songs of yours is "The Guy That Says Goodbye to You Is Out of His Mind." I would love to hear it live. What are some of your favorite songs to perform live?

"The Guy That Says Goodbye To You Is Out of His Mind" is definitely one that I love playing live. I play it at almost every show. "She Likes Girls" from The Learner is really fun to play with the band because it's so upbeat and easy for me to sing.

4. "River City Lights," a new track off your upcoming album, The Learner, features the amazing Allison Krauss (another Midwesterner, originally from Champaign, Illinois). What was it like to work with her?

I wrote the lyrics of "River City Lights" out for her so she could tape them on the wall in the vocal booth while she was singing. Having her sing on the record sort of felt like getting a lifetime achievement award. I'm so proud and thankful to have her amazing voice and presence on my record. Oddly enough, I had to leave right after we got her in the vocal booth and hit record because I had somewhere to be right away. So, I didn't even have the pleasure of hearing her go down live. Normally, I would have hung around until she was out the driveway and around the corner, probably just standing there taking it all in and feeling all warm and fuzzy inside, but I had to run. Just one of those things, weird timing.

5. Ok, one very profound yet final question: how does The Learner fit into your natural evolution as an artist? What's different?

The Learner captures a lot of things I've learned through touring and making six or seven records over the past seven years or so of my life. I think my songwriting and my singing reflect that on the record. There is all the usual sincerity and honesty that I try to maintain in my songs on The Learner, except for "She Likes Girls," which is a song that I felt I was really important for me to do. I'm definitely sort of making fun of myself on that song, or at least playing with a sense of humor and irony, which is in truth not that far away from a song like "The Guy That Says Goodbye," but not everyone will understand that. And that's okay.